What's the difference between a library music time and a Kindermusik Class?

Some folks say "Oh, we do Kindermusik for FREE at the library!"

Well, I'd love to widen your view a little.

Darcy and I do music and movement storytimes here and there (i.e. the library and some mom and tot groups, for example). We meet children who love music, who naturally sing and dance to the music, children who love the instruments and knee bounces, circle dances and stories. Those children, their sparkling eyes, smiles and giggles capture our hearts. And we see the possibility. In all the children. All of them.

What would be different if they went to a weekly class for a whole semester at a time? This is what we know about children who are lucky enough to be in a flourishing environment where consistency of space, trust, routine, repetition and variety exist.

These children begin sometimes warily, like any child. Sometimes at the first class the younger ones look around for the moment their adult will sneak off or kiss them goodbye. Imagine their wide eyes when all the adults sit on the floor with them! They know then that they are safe. After the second class they begin to sense a rhythm in the flow of the class as it is very similar to their first experience. They realize that it is safe to put the bells or shakers back in the basket because they know they will have another opportunity to work with those again. After a few weeks a change comes over them. Waiting their turn becomes easier. The songs are very familiar since they hear them also at home (Home materials include CDs, story books, instruments etc.). The story is predictable and there are more and more details emerging every week. (This never happens at a one time event.)


They become thoughtful risk takers, more experimental, more creative. Everything is safe. They sing and twirl along, delighting in their participating adult. Here is their chance to be in charge. To practice their budding autonomy in a safe environment. Isn't that what we want for them?

It's how they bloom.

Please join us.
And for the families already participating why don't you bring a friend to you class!

Yvette

Helping Children Master Self Control

Have you re-enrolled for Spring classes yet? https://holland.kindermusik.net Children thrive in the routine. The following study regarding the benefits of a long-term Kindermusik education affirms your choice to continue the experience for more than just fun!! Your children are worth it: read on!

Excerpts from the following article are courtesy of Lori Burkhardt. The entire article can be read here.
*****
Repeated, not sporadic enrollment makes all the difference.
Beth Frook ~ Little Hands Kindermusik, Clifton, VA www.littlehands.com
Earlier this year (2005), Beth Frook shared a granddaddy of a Foundations of Learning (FOLs) in her Kindermusik class. A local university had recently conducted a study on 3-and-5-year old children in her program titled “The Effects of Kindermusik on Behavioral Self-Regulation in Early Childhood.” *See editor’s note at the bottom of this column.
It proved what Beth—and many other Kindermusik Educators—already knew:
The longer you stay in Kindermusik, the better.
Specifically, the study showed:
“Children currently enrolled in Kindermusik showed higher levels of self-control than those never enrolled and those previously enrolled. This suggests that in order for children to reap the benefit of increased self-control as a result of Kindermusik participation, it is important to have repeated and recent Kindermusik experiences and remain enrolled in the program.”
“Four-year-old children who had been exposed to Kindermusik for longer periods of time are better off in terms of self-control—namely a child’s ability to plan, guide, and control their own behavior—than similar children with less Kindermusik history.”
“These experiences, stop-go, high-low, fast-slow, short-long, and loud-soft, whereby children’s motor behavior is guided by the music, appear to be good exercise for young children’s emerging self-regulatory skills.”
Below, Beth shares her reaction to the study and the role that research plays in her Kindermusik classes.
Editor’s note:
Study results were made available to Kindermusik in May, 2005. The study was conducted by Adam Winsler Ph.D and graduate student Lesley Ducenne in the Department of Psychology at George Mason University.
The 15-month study included 91 children between the ages of 3 and 5 who were split into three groups: 23 students currently enrolled in Kindermusik, 19 students previously enrolled in Kindermusik, and 49 students of similar family backgrounds from local preschools who had never had Kindermusik.
The children were observed doing a variety of tasks that required self-control such as slowing down their motor behavior, delaying their gratification, refraining from touching attractive but forbidden toys, quietly whispering, and compliance with instructions to initiate or stop certain behaviors. Parents also completed surveys.
The study, supervised by Adam Winsler, Ph.D, Applied Developmental Psychology in the Department of Psychology at George Mason University, will likely be presented at national conferences and published later this year.

Yvette's comment: I immediately think of our Imagine That! classes where we have been asking children to jump to musical cues that they must wait for. We did this with "Hop To It" and also "Weggis Dance" where we change from staccato jumping to legato swaying. Yes we really do work them hard....their whole entire bodies from their ears to their toes! Imagine That!